Los: F ** Okay Da World album assessment


Los songs are lots just like the scene from Goodfellas simply earlier than Ray Liotta is arrested: helicopters hover overhead. He does not know if anybody near him is reliable. The telephone rings endlessly, however he’s afraid the federal authorities will hear. He makes sweaty journeys the place each automotive may be the one to cease him. Normally it ends with medication being thrown down the bathroom, a race throughout state strains, and the choice to go away her life behind to fall off the grid. It is clouded by the upcoming feeling that that is all pushed by his personal paranoia.

These tales will not be absolutely grounded in actuality, provided that Los isn’t at the moment on the run. Los principally does detective sagas which, if fleshed out any additional, could possibly be sprawling scripts. His final mixtape Fuck Da World compiles 10 moody, first-person vignettes in an anthology of types: On “Daisy Lane Data”, he survives a scheme by way of the pores and skin of his enamel, however the cops break down his door anyway; on the aptly titled “Goodfellas,” he heads to Pittsburgh, a recurring place in his music, and a hotspot of journey bag chaos; “Simply Begin Saving” is sort of a montage of all his shady offers for as soon as, despite the fact that we all know darkness is across the nook.

However Los’s music is greater than anecdotes a couple of man bored with a life he can not seem to escape. They arrive within the form of gruff, husky vocals you may get after waking up with a hangover, to dirty beats that is perhaps deep cuts on a late ’90s No Restrict tape. “300k” is the mannequin of this type, with instrumental and hard-hitting police sirens banging within the trunk that create the tense temper. In simply two minutes, Los is constructing a world full of sketchy detectives (presumably in bespoke fits) and cat-and-mouse video games with faceless enemies (presumably in bespoke fits as properly). Typically he is held again by manufacturing selections that sound like low cost imitations of his southern rap inspirations: the booming drums and darkish melody of “Cannot Rap Bout It” would have been higher suited again then. Lex Luger of Atlanta and the bell-heavy “Ain’t Goin” church is sort of a lifeless Tay Keith kind beat. The 2 distract from his narration.

Los is addressing manufacturing points with a rising relationship with trusted Detroit-based firm Topside, which launched a joint mixtape final 12 months referred to as G Shit Vol. 1 it stays their finest work up to now. On “Hit Em Wit Dat Fye” Topside mixes ticking hats, Mannie Recent-influenced howling horns and atmospheric melody; Los is such a vigorous storyteller that he can convey even probably the most monotonous duties to life. Likewise, “Cool Cat 2” is fascinating: Topside laces the host with a fab bassline, and Los is so wired by his life-style that his typical depth turns into exhaustion: “I am simply making an attempt to win some. the cash for the rap, then convey it house / The pandemic, yeah the spirit is over, all the cash is gone, ”he rapped as if he wished he may retire. Much like the Mafia epic of Scorsese, the fixed anxiousness and paranoia isn’t solely thrilling, however enjoyable in a twisted approach.


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